Moly (茉莉花) b. 2002 (France)
2026
Life-sized participatory installation
Mixed media
283 cm x 300 cm x 290 cm
Artist bio:
Moly (茉莉花), studied anthropology with a particular focus on ethnomusicology in France. Her overall practice explores anti-elitism through community-based methods, posing the question of how alternative worlds can be imagined outside established cultural orders. She is currently based in Taiwan pursuing her master’s degree, with research focused on collective practices and how these could be used for people’s emancipation.
Moly（茉莉花） 曾於法國研習人類學，並特別聚焦於民族音樂學（ethnomusicology）。她的整體實踐透過以社群為導向的方法來探索「反精英主義」，並提出疑問：在既有的文化秩序之外，我們要如何想像另類世界的可能？她目前定居台灣攻讀碩士學位，研究方向聚焦於集體實踐，以及這些實踐如何能轉化為推動群體解放（emancipation）的契機。
Artwork description:
This Is Not My Bedroom Anymore is a participatory installation that reimagines an intimate bedroom space as a site for collective art-making. It invites visitors to re-project their own recollection of a bedroom into the space, breaking traditional gallery rules by altering and transforming the space. Shaped by themes of childhood, trauma, and self-exploration, each interaction captures the vulnerability of personal memory while reflecting a broader discussion on the shifting boundaries of art.
本作品是一件參與式裝置，將私密的臥室空間重新想像為一個集體藝術創作的場域。它邀請觀者將自己對臥室的記憶重新投射到這個空間中，透過改動與轉化空間，打破了傳統美術館的觀展規則。在童年、創傷與自我探索等主題的形塑下，每一次的互動都捕捉了個人記憶的脆弱性，同時也反映了關於藝術邊界轉移的更廣泛討論。